Teaching
-
Russian Music of the Twentieth Century (University of Sheffield)
- Solo Performance (University of Sheffield)
- Piano Accompaniment (University of Sheffield)
-
Piano/Ensemble Tutor (University of Sheffield/Bangor University)
Articles
-
'“A Permanent Influence”: How Beethoven Had an Impact on Prokofiev’s
Piano Writing’, The Musical Times, Autumn 2015, pp. 49–62
-
'The Path to Originality in Prokofiev’s Early Piano Works’, Three
Oranges: the Journal of the Serge Prokofiev Foundation, 24, November
2012, pp. 23–29
-
Review of Tomoff, Kirill: Virtuosi Abroad: Soviet Music and Imperial
Competition During the Early Cold War, 1945–1958 (New York: Cornell,
2015) in The Musical Times, Summer 2016, pp. 119–120
-
Review of Fairclough, Pauline: Classics for the masses: shaping
Soviet musical identity under Lenin and Stalin in The Musical Times,
Spring 2017
-
Review of Frolova-Walker, Marina: Stalin’s music prize: Soviet
culture and politics in The Musical Times, Spring 2017
Conferences/Talks
-
November 2008 – University of London, Goldsmiths conference,
Exploring National Identity in Musical Culture: ‘Investigating the
Effect of Prokofiev’s Move to the West on his Piano Works’
-
November 2009 – American Musicological Society, Philadelphia:
‘Exploring the Effect of Prokofiev’s Move to America on his Piano
Writing’
-
January 2010 – Sheffield Gramophone Society: ‘Prokofiev the
Performer’
-
September 2013 – Music Since 1900 Conference, Liverpool Hope
University: ‘A ‘Dictionary of Idioms’: The Path to Originality in
Prokofiev’s Early Piano Works’
-
February 2015 – London International Piano Symposium: ‘A Permanent
Influence’: How Beethoven Had an Impact on Prokofiev’s Piano Writing